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Since ages, it has been an important part of folk culture depicting the folk traditions of India. From the ancient days, Indian puppet theatre therefore developed not only as an art form but also as an effort of conveying a lot whilst uttering actually nothing. India, which has a rich history of her creativity, has slowly become a name in the rich timeline of Indian natya with the emergence of this Indian puppetry as a typical visual art form. In Indian puppet theatre the puppets or the dolls comes alive, simulating life and reality whilst giving meaning to the creator's ideology.
History of Indian Puppet Theatre
History of Indian puppet theatre is long, enlaced with a rich past. The origin of puppetry somewhat dates back to the long gone era of the 5th Century BC. The chic dash was then missing; even the modish approach was not there; yet Indian puppetry as an enduring form of entertainment stood apart as an intense form of theatre since the historic days of ancient times.
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Indian puppet theatre as an artistic visual art is still vibrantly alive in a variety of style. The major types of puppetry that are practiced in different Indian states are: rod, string, shadow and glove puppetry. The puppetry is very popular in the states like Odisha, Rajasthan, Kerala, Andhra Pradesh and Karnataka. Sometimes the puppets are made with leather and the movements controlled by stick and often they are made with wood or cloth where the movements are duly controlled by strings. The string puppetry is prevalent in Karnataka and Rajasthan. Correct string movement is very important to make the puppetry a thriving entertainment. The string attached to the puppet's head goes over the operator's hands and fingers which again are linked back to the puppet. The operator controls the movement of each hand of the puppet by separate strings. In Indian puppet theatre, the puppets which are used are generally small in dimension. The large head accompanied with prominent eyes offers a magical charm to the puppets whilst sketching their personality.
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The colour of the puppets also determines the portrayal of character in Indian puppetry. To depict a royal character mainly a light coloured puppet with impressive moustaches is used whereas a gawk eyed and dark coloured puppet usually paints a negative character. The female figures hold their skirts or Sarees in their hands while dancing; thus showcase a vibrant show. The male puppets are shown as the ones who excel in fighting; they dash against each other strike, chase, wrestle and even fall dead whist offering life to the entire puppet show.
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