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Indian tribal crafts verily mirror the lives of their users, their food and its source, their observances to pacify indefinite forces, which incorporate their arts and crafts, music and dance. Majority of Indian tribals inhabited in far-off forests, and had kept distance from the nearby agricultural villages. The confrontations and combats that ensued in the following years, made the tribals recede to other hinterlands and resort to other professions, like fishing, hunting and cattle-grazing.
Religion plays a thrusting role in tribal day-to-day life. It is wholly expressed through art and reflects its use in their crafts. Indian tribal craft is generally ritualistic, rubbing off a distinct line between the artist and the art lover. It is encased within the consciousness of the tribe and transforms according to developments in the tribe. Tribal crafts are dependent on the local plant ecosystem. For instance, the use of bamboo for making bows, arrows, vessels and habitations doubtlessly lent to the conservation of bamboo grass. Implements, like the digging stick and bow and arrow, canoes and boats, dwelling houses, each an essential craft item, were dependent on plants and trees.
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What tells apart Indian tribal craft is the quality of usefulness which is integral to its creation. Whether it is a pot to carry water, a storage jar, a bow and arrow, a basket to carry goods or a votive offering, the object always has a role to play, a purpose intrinsic to its creation and existence. The shapes and forms of tribal crafts are, fascinatingly, deduced from basketry, as are the ornamentations on pottery. Basketry is the most popular and available of tribal crafts, being highly diverse, with its origins impossible to outline.
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