Geeta Dutt was born into a rich Zamindar's family as Geeta Ghosh Roy Chowdhuri in Faridpur, East Bengal in 1930. In 1942, her parents shifted to a Dadar apartment in Mumbai when she was twelve. Over there in their modest flat at Dadar, composer/music director Hanuman Prasad overheard her singing casually and agreed to impart her training in singing. He launched her in a chorus song in Bhakht Prahlad (1946), where she sang only two lines. But her rendering of those two lines stood out and astonished everybody in the recording studio. Her major assignment was in the following year with Do Bhai. The music of that film clicked in a big way and Geeta became a top playback singer. 1947 - 1949 saw Geeta as the number one playback singer in the Bollywood film industry as she moved from strength to strength. Only two playback singers managed to survive Lata's onslaught in the 1950s. They were Shamshad Begum and Geeta Roy. Though relegated to the second spot, Geeta managed to hold her own against Lata for more than a decade, and she and Lata Mangeshkar became the premier female playback singers of the 1950s.
Initially, Geeta was a singer well known for singing Bhajans and weepy, sad songs, but 1951 saw the release of Baazi. The jazzy musical score of the film by SD Burman created a new facet in Geeta's singing. The sex appeal in her voice and the ease with which she went western was marvellous to behold. From then on in the 1950s for a club dance and a seductive song, was the first choice was Geeta. During the recording of a song, she met the young and upcoming director of the film, Guru Dutt. Thus blossomed a romance and they became engaged. They had to overcome a lot of family opposition to marry. They married on 26 May 1953 and had three children. They were Tarun (b. 1954), Arun (b. 1956), and Nina Dutt (b. 1962). Geeta went on to sing some of her best songs in his films while continuing to sing in various outside assignments as well.
S.D. Burman was amongst the earliest to discover the magic in her voice with Do Bhai. He effectively used the Bengali lilt in her voice memorably in films like Devdas (1955) and Pyaasa (1957).In fact, no female singer has better articulated the spirit of Burmanda's music in its early years had developed the side of Geeta which had emerged with Baazi. Under his freewheeling baton, Geeta developed into a really hep singer who could belt out any number - soft, sultry, happy, snappy, romantic, teasing or tragic. It was O.P. who got Geeta to stop being overly emotional in sad songs. However by 1957, Geeta's marriage had run through rough weather and was on the rocks. Guru Dutt had gotten romantically involved with his new leading lady Waheeda Rehman. The breaking up of her marriage also began giving repercussions on her career. To quieten things down, Guru Dutt launched a film Gauri (1957) with her in the lead. She was to be launched as a singing star and it was to be India's first film in cinemascope but the film was shelved after just a few days of shooting. This was the time when one heard complaints from music directors about her not being easily available for rehearsals and recordings.
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